This right here had to be said. And I don't mean that in the "mUh HoT tAkE" way either lol.
I came to the Iron Age as an expressly apolitical entity. I'd been struggling to find projects that spoke to me and allowed me to really turn myself loose as a creative. And no sooner had I released the debut summer edition of "365" than did this movement sprout up. And while it took some time to congeal, I'm elated to see that we're pushing in a direction where we are angling for a more positive vision, and I think this line of critique is a step in that direction. At the end of the day, we should all be working to create the media we wish to see. The grand adventures, the engaging characters, the sharp stylizations. The days of obsessing over the big league's failures are numbered, and the only way to ensure top-shelf work is by wielding our sharpened pens of critique as necessary to preserve the overall goal of fun, substantive, and stylish fiction in all forms.
This right here had to be said. And I don't mean that in the "mUh HoT tAkE" way either lol.
I came to the Iron Age as an expressly apolitical entity. I'd been struggling to find projects that spoke to me and allowed me to really turn myself loose as a creative. And no sooner had I released the debut summer edition of "365" than did this movement sprout up. And while it took some time to congeal, I'm elated to see that we're pushing in a direction where we are angling for a more positive vision, and I think this line of critique is a step in that direction. At the end of the day, we should all be working to create the media we wish to see. The grand adventures, the engaging characters, the sharp stylizations. The days of obsessing over the big league's failures are numbered, and the only way to ensure top-shelf work is by wielding our sharpened pens of critique as necessary to preserve the overall goal of fun, substantive, and stylish fiction in all forms.